1. Medium: Watercolor on paper

2. Shapes and objects: Two decorative plates or shallow bowls with intricate patterns. A variety of fruits including apples (red and possibly green), oranges, and possibly peaches or nectarines. The fruits are arranged on one of the plates. The second plate is partially visible in the background. Subtle shadows and reflections beneath the objects.

3. Colours: Vibrant reds and oranges for the fruits. Deep blues, whites, and possibly gold or yellow in the decorative patterns of the plates. Soft, muted background tones of pale greys and beiges. Hints of green on some fruits and in the plate designs.

4. Narrative: This still life captures a moment of quiet beauty in everyday objects. The arrangement speaks to the harmony between nature's bounty and human craftsmanship. The juxtaposition of the organic, rounded forms of the fruits against the precise, intricate patterns of the plates creates a visual dialogue between the natural and the man-made. There's a sense of abundance and domestic comfort, perhaps suggesting a welcoming home or a moment of pause before a meal. The careful composition and attention to light and shadow invite the viewer to appreciate the simple elegance of these common objects, elevating them to subjects worthy of artistic contemplation.

5. Original Artist: This painting appears to be influenced by the still life works of Paul Cézanne, a Post-Impressionist French artist active in the late 19th and early 20th centuries. Cézanne was known for his careful studies of common objects, particularly fruits, and his attention to form and color.

A comparable work by Cézanne might be "Still Life with Apples and Oranges" (circa 1899), which similarly features fruits arranged on decorative plates. However, Mehrdad Fahimi's work has its own distinct style, particularly in the use of the decorative plates and the more fluid watercolor technique.

Cézanne's approach to still life revolutionized the genre and heavily influenced the development of modern art. His works can be found in major museums worldwide, including the Musée d'Orsay in Paris and the Metropolitan Museum of Art in New York. While Fahimi's painting is clearly his own, it shares Cézanne's interest in the interplay of form, color, and composition in everyday objects.