1. Medium: Watercolor on paper

2. Shapes and objects: A nighttime coastal or riverside scene. In the foreground, there's a body of water reflecting lights. The middle ground shows a row of buildings along the shore, including what appear to be houses and possibly industrial structures. In the background, there are dark hills or mountains. The sky is dominated by various shades of blue with a prominent full moon or bright celestial body.

3. Colours: Deep, rich blues dominate the sky and water. The moon is a bright white. The buildings are rendered in muted yellows, whites, and greys, with some warm orange tones in the reflections. The background hills are dark, almost black. There's a subtle interplay of light and shadow throughout the scene.

4. Narrative: This nocturnal landscape captures the quiet beauty of a waterfront at night. The reflection of lights in the water creates a sense of symmetry and tranquility. The contrast between the dark sky and the illuminated buildings suggests the coexistence of nature and human habitation. The bright moon adds a touch of mystery and romance to the scene. There's a feeling of stillness and peace, yet the lights indicate that life continues even in the late hours. The painting evokes a sense of contemplation, inviting the viewer to pause and appreciate the beauty of a familiar place transformed by nightfall.

5. Original Artist: This night scene with its emphasis on reflections and the interplay of light and dark is reminiscent of the work of American painter James Abbott McNeill Whistler, particularly his "Nocturne" series. Whistler was known for his atmospheric night scenes of rivers and harbors, often featuring muted colors and subtle tonal variations. While Mehrdad Fahimi's use of color is more vibrant, especially in the sky, there's a similar focus on capturing the mood and essence of a place at night. Whistler's nocturnes can be found in various museums, including the Tate Britain in London and the Detroit Institute of Arts.