1. Medium: Watercolor on paper

2. Shapes and objects: A mountainous landscape with a winding road or path. A small white church or chapel with a distinctive spire in the middle ground. Various mountain peaks, including a snow-capped peak in the background. Vegetation and fields in different shades, suggesting varying terrain and possibly cultivated areas.

3. Colours: A rich palette of earth tones. Browns, greens, and yellows for the mountains and fields. White for the church and the snow-capped peak. Blue for the sky. The overall color scheme suggests autumn or late summer.

4. Narrative: This painting captures the grandeur of a mountain landscape, with the small church serving as a focal point and symbol of human presence in this vast natural setting. The winding road leads the eye through the composition, inviting the viewer on a journey through this dramatic scenery. The contrast between the massive mountains and the tiny church creates a sense of scale and perhaps speaks to the relationship between humanity and nature. The varied colors of the landscape suggest the changing seasons and the rich diversity of mountain ecosystems.

5. Original Artist: While this is an original work by Mehrdad Fahimi, the style and subject matter are reminiscent of the mountain landscapes painted by German Romantic painter Caspar David Friedrich. Friedrich was known for his allegorical landscapes that often featured small human elements (like churches or figures) set against dramatic natural backdrops.

A comparable work might be Friedrich's "Mountain Landscape with Church" (1823-1824), though Fahimi's painting has its own unique elements and a more fluid watercolor style. Friedrich's works can be found in major European museums, including the Alte Nationalgalerie in Berlin.

However, Fahimi's use of watercolor and his more vibrant color palette also bring to mind some of the mountain landscapes of American painter Thomas Moran, known for his depictions of the American West.

While Fahimi's painting is clearly his own, it seems to blend influences from both European Romanticism and American landscape painting traditions, creating a scene that feels both majestic and intimately observed.