1. Medium: Watercolor on paper

2. Shapes and objects: A rural landscape featuring white farmhouses or cottages with red roofs. A large tree in the foreground, likely an oak or similar deciduous tree. Utility poles and power lines. A dirt road or path leading to the buildings. Grass and vegetation in the foreground. Hints of fencing or other structures around the buildings.

3. Colours: Predominantly soft, muted tones. White for the buildings with red-brown for the roofs. Green for the tree and vegetation. Pale blue for the sky. Earth tones (browns and tans) for the road and ground.

4. Narrative: This painting captures the essence of rural life, depicting a quiet farmstead or small rural community. The large tree in the foreground acts as a focal point, suggesting permanence and the passage of time. The utility poles and power lines add a touch of modernity to an otherwise timeless scene, hinting at the gradual modernization of rural areas. The dirt road leading to the buildings invites the viewer to imagine traveling into this peaceful setting. Overall, the painting evokes a sense of nostalgia for simpler times and the enduring charm of country life.

5. Original Artist: While this is an original work by Mehrdad Fahimi, the style and subject matter are reminiscent of the rural landscapes painted by American Regionalist artists, particularly Grant Wood. Wood was known for his idealized depictions of the American Midwest, often featuring neat farms and stylized trees.

A comparable work might be Wood's "Fall Plowing" (1931), though Fahimi's painting has its own unique elements and a more fluid watercolor style. Wood's works can be found in major American museums, including the Art Institute of Chicago and the Metropolitan Museum of Art in New York.

However, Fahimi's use of watercolor and his looser, more impressionistic style also brings to mind some of the landscapes of French painter Maurice Utrillo, particularly in the treatment of the buildings and the overall atmospheric quality.

While Fahimi's painting is clearly his own, it seems to blend influences from both American Regionalism and European Post-Impressionism, creating a scene that feels both familiar and uniquely rendered.