1. Medium: Watercolor on paper

2. Shapes and objects: A rural landscape featuring a large mountain or hill in the background. In the foreground, there's a grassy area with some vegetation, possibly including reeds or tall grasses. A body of water (likely a lake or pond) is visible in the middle ground. There are hints of trees or bushes on the far shore. Some small shapes in the distance could be buildings or animals.

3. Colours: Soft, muted tones dominate. Blues and greys for the sky and distant mountain. Various shades of green for the vegetation, ranging from yellowish-green to darker olive tones. Brown and tan hues for the foreground grasses and earth. A pale blue or grey for the water.

4. Narrative: This painting captures the serene beauty of a rural landscape, possibly in a valley or at the foot of a mountain. The composition leads the eye from the detailed foreground vegetation, across the tranquil water, to the imposing mountain in the background. There's a sense of peace and isolation, with only subtle hints of human or animal presence. The scene evokes feelings of tranquility and connection with nature, inviting the viewer to imagine the quiet sounds and fresh air of this secluded spot.

5. Original Artist: While this is an original work by Mehrdad Fahimi, the style and subject matter are reminiscent of the landscapes painted by English Romantic artist J.M.W. Turner, particularly his later, more atmospheric works. Turner was known for his expressive use of color and light to capture the mood of a landscape.

However, Fahimi's use of watercolor and his more subdued palette also bring to mind some of the landscapes of American artist Andrew Wyeth, known for his realistic depictions of rural scenes with a sense of quiet solitude.

A comparable work might be Turner's later landscapes of the Swiss Alps, though Fahimi's painting has its own unique elements and a more contemporary feel. Turner's works can be found in major museums worldwide, including the Tate Britain in London.

While Fahimi's painting is clearly his own, it seems to blend influences from both European Romanticism and American Realism, creating a scene that feels both timeless and intimately observed.