1. Medium: Watercolor on paper

2. Shapes and objects: A rural landscape featuring two prominent trees. The larger tree in the foreground has a thick trunk and spreading branches. A smaller, slender tree is visible in the middle ground. There's a path or road winding through the scene. A wooden fence or bench is visible around the base of the large tree. In the background, there are suggestions of distant trees or bushes.

3. Colours: Soft, muted tones dominate. Brown for the tree trunks and branches. Light green for the foliage and grass. Pale blue for the sky. Beige and light brown for the path. The background features subtle pinks and browns.

4. Narrative: This painting captures a serene rural scene, focusing on the relationship between the trees and the landscape. The large tree in the foreground acts as a focal point, its sturdy presence suggesting permanence and the passage of time. The winding path invites the viewer to imagine a journey through this peaceful setting. The wooden structure around the tree base could be a bench, implying this is a place where people might pause to rest or contemplate nature. Overall, the painting evokes a sense of tranquility and connection with the natural world.

5. Original Artist: While this is an original work by Mehrdad Fahimi, the style and subject matter are reminiscent of the landscapes painted by English artist David Hockney, particularly his later works featuring trees in the Yorkshire countryside. Hockney is known for his vibrant colors and exploration of perspective in landscape painting.

However, Fahimi's use of watercolor and his more subtle, muted palette also brings to mind some of the tree studies by French Post-Impressionist painter Paul Cézanne, who often focused on the structure and form of trees in his landscapes.

A comparable work might be Hockney's "Bigger Trees Near Warter" (2007), though Fahimi's painting has its own unique elements and a more delicate watercolor technique. Hockney's works can be found in major museums worldwide, including the Tate Britain in London.

While Fahimi's painting is clearly his own, it seems to blend influences from both contemporary and Post-Impressionist landscape traditions, creating a scene that feels both timeless and intimately observed.