1. Medium: Watercolor on paper

2. Shapes and objects: A mountainous landscape with a prominent tree in the foreground, its branches stretching across the top of the painting. The middle ground shows a valley with fields and scattered houses. In the background, there's a large mountain or hill. A structure that looks like an aqueduct or viaduct spans part of the valley.

3. Colours: Various shades of green for the vegetation and fields. Brown for the tree trunk and branches. Yellow and beige for the houses and fields. Blue-grey for the distant mountain. A mix of blues and greens for the sky and background.

4. Narrative: This painting captures a panoramic view of a rural landscape, possibly in a Mediterranean or Southern European setting. The composition, with the tree framing the scene, invites the viewer to look out over the valley as if standing at a viewpoint. The scattered houses and cultivated fields suggest a long-established agricultural community. The aqueduct-like structure adds an element of historical or architectural interest, hinting at the area's past. Overall, the painting evokes a sense of timelessness, blending natural beauty with human habitation and history.

5. Original Artist: While this is an original work by Mehrdad Fahimi, the style and subject matter are strongly reminiscent of the landscapes painted by Paul Cézanne, particularly his views of Provence and Mont Sainte-Victoire. Cézanne was known for his structural approach to landscape, often using trees to frame his compositions and depicting the Mont Sainte-Victoire repeatedly.

However, Fahimi's use of watercolor and the inclusion of more detailed architectural elements also brings to mind some of the landscape works of British artist J.M.W. Turner, known for his atmospheric watercolor landscapes.

A comparable work might be Cézanne's "Mont Sainte-Victoire" series, though Fahimi's painting has its own unique elements and a more fluid watercolor technique. Cézanne's works can be found in major museums worldwide, including the Musée d'Orsay in Paris and the Metropolitan Museum of Art in New York.

While Fahimi's painting is clearly his own, it seems to blend influences from both Post-Impressionism and Romantic landscape traditions, creating a scene that feels both structurally composed and atmospherically rich. The painting continues the tradition of finding beauty and meaning in familiar landscapes, inviting the viewer to contemplate the interplay between nature and human presence.